Appendix A lists the differences in pitch and notation between the performance edition of Ricardo Iznaola and the "Final" manuscript. The paper includes relevant historical information about the composer, the manuscripts, publications, and musical examples with analytical notations of the formal, thematic and harmonic aspects of the work. I will demonstrate this by performing my own edition of the Sonata para Guitarra, and by justifying that edition by describing the nature of the composition through an analysis of its formal, thematic and harmonic aspects, as well as considering the genesis of the work and its representation in currently existing editions.
Such an edition would greatly facilitate the performance of this masterpiece. Abstract Performers need a new edition of the Sonata para Guitarra (1993) by Antonio Jose Martinez Palacios (1902-1936) that takes into account the demands of the guitar as well as the formal, thematic and harmonic characteristics of the piece itself.
0 kommentar(er)
